Alexandria-Washington Lodge No. 22
In July 1792 Washington turned down a request for a sitting from American artist William Joseph Williams, telling Governor Henry Lee of Virginia: "I am so heartily tired of the attendance which, from one cause or another, I have bestowed on these kind of people, that it is now more than two years since I have resolved to sit no more for any of them; and have adhered to it; except in instances where it has been requested by public bodies, or for a particular purpose (not of the painters) and could not, without offence, be refused. I have been led to make this resolution for another reason besides the irksomeness of sitting, and the time I loose by it, which is, that these productions have, in my estimation, been made use of as a sort of tax upon individuals, by being engraved, and that badly, and hawked, or advertised for Sale." Williams then offered to paint Washington's portrait for the Alexandria (Virginia) Masonic Lodge No. 22. Lodge officers wrote Washington in 1793 that it would be " a source of the most refined gratification the tracing out and contemplating the various ornaments of his character in the resemblance of his person." Williams's portrait shows Washington as a Virginia past master, with Masonic regalia and jewels. Williams's careful depiction includes a scar on Washington's left cheek, smallpox scars on his nose and cheeks, and a mole under his right ear.
As many of you may be aware, the Lodge approved a motion last year (1998) to allow the William Williams' portrait of Washington to be included in an exhibition (February 1999 to August 1999) by the Smithsonian's National Portrait Gallery commemorating the 200th anniversary of our Illustrious Bro. George Washington's death.